Do you remember the very early days of the pandemic, before the freedom rallies, before even the vaccinations, when we were spraying boxes of muesli bars with Glen-20 in case that was how the germs were getting to us?

In those days, there was a feeling these lockdowns could perhaps save us from all the things wrong with the world. Emissions were way down. People were creating spontaneous collective musical experiences on the balconies of apartments. The canals of Venice ran clear. Maybe all it took was a deadly virus to make us change?

In the end, everything actually got worse and has continued to get worse. But that spirit is what animates Romy Ash’s eco-fiction novel, Mantle: the idea that a pathogen might make us wake up to ourselves; make us stop, think and change course.

What if we abandoned the idea of our separateness from nature? What if we embraced our porousness – “our bodies are hosts; we’re always living communally” – and treated ourselves as ecosystems, rather than individuals?

When she published her first novel, Floundering, in 2012, 31-year-old Ash was touted as the next big thing, with photo spreads in Women’s Weekly and a swag of prizes, including shortlistings for the Miles Franklin, Commonwealth Book Prize and Prime Minister’s Literary Awards. This second novel brings depth, humour and wryness, gained in the life she’s lived in between.

Ursula, her main protagonist, is 50, single and childless. She and her mother, Delores, are the last remnants of their family. Ursula works as an academic in Melbourne, but she’s taken a break to spend a little time with her mother, who lives alone in a self-built home where “the windows are actually shower screens”,........

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