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Rajeev SrivastavaThePrint |
Anusha Rizvi is definitely a distinctive voice in contemporary Indian cinema — unafraid to keep things small, human, funny, and piercingly real
With him goes not just an icon, but a particular idea of heroism: unforced, decent, inwardly anchored.
After Shantaram’s death in 1990, Sandhya remained the last custodian of Rajkamal Studios — its reels, sets, and memories
Aar Paar is an essential film in Guru Dutt’s legacy—not a footnote, but a standalone masterpiece that showcases his wit, range, and control.
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