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Jessica GildersleeveThe Conversation |
In The Hiding Place, the hollow ethics of Kate Mildenhall’s characters are exposed as exploitative and mercenary.
Jane Harper’s novels do not include any significant First Nations characters or perspectives. Nor do they acknowledge the deeper meaning and...
This year, why not celebrate with films that capture the beauty and chaos of motherhood.
Yumna Kassab’s vignettes and fragments present a kaleidoscopic view of contemporary society.
The Honeyeater is Jessie Tu’s second novel, following A Lonely Girl is a Dangerous Thing (2020). It moves between Paris, Sydney and Taipei,...
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