What the previous two National Gallery of Victoria (NGV) Triennials have taught us is that the visitor should be prepared to be surprised, amazed and challenged. NGV Triennial 2023 does this in spades.

By the third iteration, the NGV Triennial has developed its own DNA signature. It is eager to redefine the parameters of art and design practice; it incorporates the entire curatorial team at the gallery; and the triennial interventions affect every level of the NGV building.

There is a case to be made, when the curatorial staff is large enough, for a project like a triennial to galvanise the staff into a creative collective with each person contributing according to their speciality, as well as working across disciplines.

Although it may be a large show – about 120 artists, designers and collectives from over 30 countries are involved in about 100 projects – it is manageable and is contained at the one site. It is designed to create a single knockout blow and largely manages to pull it off.

Read more: Enthralling, dystopian, sublime: NGV Triennial has a huge 'wow' factor

As with its predecessors, this triennial contains a mixture of iconic names, including Tracey Emin, Sheila Hicks, Maison Schiaparelli and Yoko Ono, all represented by major works, together with those less well known, except to art insiders.

In an attempt to........

© The Conversation