“Undertone” embodies horror’s crucial less-is-more lesson
Reviews Lifestyle The New Sober Boom Getting Hooked on Quitting Education Liberal Arts Cuts Are Dangerous Is College Necessary? Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC
Lifestyle The New Sober Boom Getting Hooked on Quitting
Getting Hooked on Quitting
Education Liberal Arts Cuts Are Dangerous Is College Necessary?
Liberal Arts Cuts Are Dangerous
Is College Necessary?
Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset
Dying Parents Costing Millennials Dear
Gen Z Investing In Le Creuset
Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC
Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC
SEC vs Celebrity Crypto Promoters
‘Dark’ Personalities Drawn to BTC
Reviews Lifestyle The New Sober Boom Getting Hooked on Quitting Education Liberal Arts Cuts Are Dangerous Is College Necessary? Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC
Lifestyle The New Sober Boom Getting Hooked on Quitting
Getting Hooked on Quitting
Education Liberal Arts Cuts Are Dangerous Is College Necessary?
Liberal Arts Cuts Are Dangerous
Is College Necessary?
Finance Dying Parents Costing Millennials Dear Gen Z Investing In Le Creuset
Dying Parents Costing Millennials Dear
Gen Z Investing In Le Creuset
Crypto Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC
Investing SEC vs Celebrity Crypto Promoters ‘Dark’ Personalities Drawn to BTC
SEC vs Celebrity Crypto Promoters
‘Dark’ Personalities Drawn to BTC
“Undertone” embodies horror’s crucial less-is-more lesson
A24's latest chiller is a master class in getting under the skin — until it falls back on old tricks
Published March 15, 2026 1:30PM (EDT)
As far as horror films go, writer-director Ian Tuason’s debut feature “Undertone” has just about everything a genre connoisseur could ever want, all rolled into one. The movie is packed with religious iconography, scary voices, possessed objects, ancient demons with silly names, maniacal senior citizens, dubious mirrors, dark corners, creepy children’s songs, creepy children’s songs played backwards, and — most terrifying of all — podcasters.
With the dust from the mid-2010s podcast boom finally settling, it was only a matter of time until the medium that has become an integral part of our daily lives got the star treatment. Podcasts have been supporting elements in horror for a minute, popping up in films like “Tusk” and 2018’s “Halloween” reboot, but they’ve yet to function as a true main character. Strange, considering the medium made true-crime and horror storytelling into a viable cottage industry. But whether you’re for or against that type of voyeuristic podcasting doesn’t matter here. Unlike other horror films, “Undertone” doesn’t make podcasters the butt of the joke or a predictable first-out kill. Tuason wisely skips all the gripes people have with podcasts and their hosts, and instead focuses on how the format can lend itself to horror. The covert appeal of shows like “Lore” and “My Favorite Murder” is their chilling sonic atmosphere. Horror podcasting isn’t just about the things that go bump in the night, but what those bumps sound like, and the images they conjure in a listener’s mind.
(A24) Nina Kiri in “Undertone”
In horror, more is more — more gore, more jump scares, more shadowed silhouettes; all in service of scaring the viewer.........
