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Rupert ChristiansenThe Telegraph |
Carmen and Frankenstein are without a doubt two of the most over-worked tropes in our culture, the myths of the evasively seductive gypsy and the...
My feelings about the genius of Kenneth MacMillan have always been volatile, but in the course of the Royal Ballet’s current triple bill, they...
It’s been 16 years since New York City Ballet appeared in London, and its too-brief visit to Sadler’s Wells offered a welcome chance to encounter...
Fifteen years after her death and the shrine to Pina Bausch is still thick with incense and adulation. Whether one acknowledges her as a genius or...
Literate, thoughtful and serious, Kim Brandstrup ranks as one of the most honest and honourable of contemporary choreographers. A proper grown-up,...
Two archetypal ballet heroines have been facing each other across WC2: at the Coliseum, Giselle the blameless virgin, wronged in the first act,...
The Nutcracker is one of those Christmas traditions that turns out to be not very traditional at all. First performed in St Petersburg in 1892, it...
Ebullient, articulate and eminently sensible, Rosie Kay never wanted to be a martyr to the culture wars. A modern dance choreographer with an...
When the Ballets Russes first presented Fokine’s Polovtsian Dances at Covent Garden in 1911, such was its orgiastic savagery that ladies in the...
It’s nearly a quarter of a century since Michael Nunn and William Trevitt bravely left their safe haven at the Royal Ballet to set up BalletBoyz, a...
One thing that exasperated me intensely during my many years as an opera critic was the assumption that I must be a passionate admirer of Maria...
Not being an aficionado of the heavy-metal genre, I snootily suspected that I would rather be standing in the rain flogging the Big Issue than suffer...
Aaron S. Watkin, an affable bearded Canadian, is the new artistic director of English National Ballet. He arrives from Dresden, where he ran a...
One could soundly advise any choreographer to avoid music so transcendentally great in itself that dance can add nothing except banal images. Only a...
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