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Richard BratbyThe Spectator |
Dost thou think, because thou art virtuous, there shall be no more cakes and ale? Most subsidised theatres hanker for political relevance. Even so,...
Dost thou think, because thou art virtuous, there shall be no more cakes and ale? Most subsidised theatres hanker for political relevance. Even so,...
Sir Antonio Pappano began 2024 as music director of the Royal Opera and ended as chief conductor of the London Symphony Orchestra. Around the...
John Savournin has been busy. That comes with the territory for a classical singer – things often get a little hectic as the music world barrels...
John Savournin has been busy. That comes with the territory for a classical singer – things often get a little hectic as the music world barrels...
More than a thousand musicians took part when Handel’s Messiah was performed in Westminster Abbey in May 1791. It wasn’t the only item on the bill,...
John Savournin has been busy. That comes with the territory for a classical singer – things often get a little hectic as the music world barrels...
Ivor Cutler called silence the music of the cognoscenti. But there’s silence and there’s silence, and a regular concertgoer hears a fair bit of...
There was some light booing on the first night of English National Opera’s The Elixir of Love, but it was the good kind – the friendly kind, aimed...
I couldn’t love anyone who didn’t love Offenbach’s The Tales of Hoffmann. Everything – everything – is stacked against this opera. Offenbach...
Grade: A- There are neglected composers, and then there are Welsh composers. It’s just a question of geography. When Grace Williams’s Fairest of...
‘Theatre within Theatre’ was the theme of the 2024 Wexford Festival and with Sir Charles Villiers Stanford’s The Critic, that’s exactly what...
Scottish Opera’s new production of Albert Herring updates the action to 1990, and hey – remember 1990? No, not particularly, and I suspect...
It’s rare nowadays to see a new opera production that’s set in the period that the composer and librettist intended, but they do occasionally come...
When does a new opera enter the repertoire? Judith Weir’s Blond Eckbert has only had a couple of UK productions since its première at English...
We hit downtown Zalánpatak at rush hour, and it was gridlocked. True, you get used to livestock on Romanian roads; the 30-minute gravel zig-zag...
Euston Station has been in the news again, and that’s never good. After a summer of overcrowding and delays, public anger forced the Transport...
The curtain is already up at the start of Ted Huffman’s new production of Eugene Onegin. The auditorium is lit but the stage is in darkness and...
Klaus Makela is kind of a big deal. He’s a pupil of the Finnish conducting guru Jorma Panula – the so-called ‘Yoda of conducting’ – and he’s chief...
‘Boo!’ came a voice from the stalls. ‘Boo. Outrage!’ It was hard not to feel a pang of admiration. British opera audiences don’t tend to boo; we’re...
Last week, if you’d known what to listen for, you might have heard a chorus of miniature whistles in gardens across the UK. Other sounds too: the...
Waterperry is one of the UK’s youngest summer opera festivals: it started up in 2018, at the northern limit of the species’ natural habitat. You...
As an arts journalist, you know you’re getting old when you scan the Edinburgh Festival programme, and instead of thinking ‘Wow, look at all this,’...
Artistic partnerships are elusive things. The best – where two creative personalities somehow inspire or goad each other to do better than their...
The Proms have started but there is a world elsewhere, and in Worcester Cathedral the 296th Three Choirs Festival set sail with a concert that...
This prophecy Merlin shall make, for I live before his time. One of the most thrilling aspects of the Tippett revival has been the discovery that...
It’s 1 a.m. in our small cathedral city and car horns are honking in jubilation. From down the street comes the sound of smashing bottles, and a...
Hang out with both trainspotters and opera buffs and you’ll soon notice that opera buffs are by far the more trainspotterish. It’s the pedantry,...
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