Since October 7, scores of writers have authored scores of columns pleading – to no avail – with prominent politicians who wield transformative power to stop the genocide unfolding with such obscene lethality in the apocalyptic remnants of occupied Gaza.

The same dynamic applies to a gallery of preening artists who claim that they are not only allergic to conformity, but also reject as tantamount to censorship any call from any quarter not to entertain audiences in Israel.

Rather than beseeching Nick Cave, the Australian troubadour, or the British band, Radiohead, finally to heed the petitions of Brian Eno, Roger Waters and company and forgo performing in an apartheid state, my aim here is to challenge their, by now, discredited defences to opt to play in Tel Aviv.

After not performing in Israel for some 20 years, in 2014, Cave refrained from signing on to an artist-organised pledge – meant to show tangible solidarity with imprisoned Palestinians – to boycott touring in Israel in the aftermath of yet another Israeli killing spree in Gaza.

Cave later explained his decision this way: “There was something that stunk to me about that list. Then it kind of occurred to me that I’m not signing the list but I’m also not playing Israel and that just felt to me cowardly, really.”

The lobbying, Cave added, constituted a “public humiliation” that apparently fuelled his determination to spurn the overture and stage shows in Israel.

“It suddenly became very important to make a stand against those people that are trying to shut down musicians, to bully musicians, to censor musicians, and to silence musicians … so really you could say in a way that the BDS made me play Israel,” Cave said, referring to the Boycott, Divestment, Sanctions movement.

In this flattering construct, Cave is........

© Al Jazeera