At last, the perception of popular fiction by women as “silly novels by lady novelists”, as George Eliot sniffily put it back in 1856, is changing. Next year, the British Book Awards will recognise romantic fiction for the first time. The recognition is long overdue.

This welcome news came in the same week as the deaths of two doyennes of the form, Joanna Trollope and, at just 55, Sophie Kinsella, only a couple of months after the loss of national treasure Dame Jilly Cooper. Between them these publishing power houses produced more than 100 books, sold millions of copies, and inspired hit films and TV series, most recently last year’s star-studded adaptation of Cooper’s 1985

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