Should actors and actresses who go to extremes to prepare for their roles get more love from Oscars voters?

This year, best actor nominees Cillian Murphy, who played nuclear physicist J. Robert Oppenheimer in “Oppenheimer,” and Bradley Cooper, who starred as Leonard Bernstein in the biopic “Maestro,” are getting lots of buzz not only for their performances but also for how those performances were achieved.

The already slim Murphy lost roughly 20 pounds and took up smoking fake cigarettes to mimic the look and habits of the real-life Oppenheimer. His preparation for the role was purportedly so intense that he isolated himself from his co-stars during the making of the film.

Meanwhile, Cooper allegedly spent six years training in the art of conducting in order to film a key sequence for “Maestro.” And on a December 2023 episode of the podcast “SmartLess,” best actress nominee Carey Mulligan recounted how Bradley Cooper called her on the phone and spoke to her in Leonard Bernstein’s voice years before they had begun filming “Maestro.”

Reporting on the actors’ preparation often references Method acting, a psychological approach to performing that’s designed to make the character seem more real and believable.

But as someone who has taught theater for over 20 years, I’ve found that much of what is said or written about Method acting perpetuates a number of myths about the technique. Sometimes, it can be tough to tell whether actors are genuinely preparing for a role or simply “performing” their preparation for their co-stars, the media and the public.

Method acting – sometimes called “the Method” – derives from “the system,” an approach to acting developed by Russian actor and director Konstantin Stanislavski, which he describes in the 1936 book “An Actor........

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