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العين الإخبارية 
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Cinema Scope |
By Adam Nayman Two movies, both alike in indignity, in the ’90s, where we lay our scene. Because neither Videoheaven nor Pavements—both putatively...
By Phil Coldiron It requires relatively little mental strain to imagine a world in which all that can be photographed has been; it requires, I...
By Jordan Cronk “The problem is that it then goes off on tangents and the plot becomes secondary.”—A Mysterious World Until recently a...
By Beatrice Loayza Hamaguchi Ryusuke’s sublime eco-fable, Evil Does Not Exist, begins and ends with the plangent score by Ishibashi Eiko, played...
By Erika Balsom Lately it feels like everywhere I look obscure old films are being dusted off and presented to eager publics. Even a right-wing...
By Antoine Thirion A teenaged girl is texting her boyfriend from her bedroom, seeking compassion: “I’m just in a really bad place right now.”...
By Christoph Huber Don Siegel’s superior crime picture Charley Varrick (1973) was supposed to be called Last of the Independents, but that title...
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