The Devil Wears Prada 2 is the sequel to a film that launched a thousand memes.

For the film’s New York premiere in April 2026, fashion designer Evan Hirsh decided to commemorate one of the original 2006 film’s most celebrated scenes. He embroidered Meryl Streep’s infamous monologue on the fictional fashion history of the colour cerulean into the bright blue train of his coat.

In the monologue, ice-queen fashion editor Miranda Priestly (Streep) lambasts ingenue Andy Sachs (Anne Hathaway) for her ignorance about the blue – I mean, cerulean – colour of her sweater.

Equal parts derisive and incisive, this monologue nods to the “ballroom” tradition of reading the flaws of others, in order to deliver a devastating (and often hilarious) insult. Ballroom is an underground scene of competitive balls created by Black and Latinx LGBTQ communities centred on dance, fashion and performance. There, reading functions as both art form and social critique.

The monologue also encapsulates a skill practised in humanities classrooms around the world: close reading. This is the art of unpacking a detail and contextualising it within a broader history, to see how artistic choices and media landscapes come together to shape the world around us – often without us really noticing.

Although an old idea (arguably, even Aristotle was doing it),........

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