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How America tried and failed to stay White

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15.05.2024

Media today portraying immigrants coming to the United States

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Newspaper articles in 1924 portraying immigrants coming to the United States

Fear of uncontrolled immigration is upsetting the political landscape in the run-up to the presidential election.

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At a rally in December, former president Donald Trump went as far as to say that immigrants are “poisoning the blood of our country.”

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Americans’ mistrust of new immigrants is hardly new. In fact, it exhibits a striking resemblance to the prevailing fears 100 years ago.

The country might soon need to “station a soldier every hundred yards on our borders to keep out the hordes,” argued an article in Wisconsin in April of 1924.

Treating Japan in the same way as “white nations,” an Illinois newspaper cautioned in May of 1924, could allow Japanese immigrants to own land and seek the “rights given white immigrants.”

“America,” wrote James J. Davis, the secretary of labor, in the New York Times in February of 1924, should not be “a conglomeration of racial groups, each advocating a different set of ideas and ideals according to their bringing up, but a homogeneous race.”

Opinion

How America tried and failed to stay White

100 years ago the U.S. tried to limit immigration to White Europeans. Instead, diversity triumphed.

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Opinion by Eduardo Porter and graphics by

Youyou Zhou

May 15, 2024 at 6:00 a.m.

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“I think that we have sufficient stock in America now for us to shut the door.”

That sounds like Donald Trump, right? Maybe on one of his campaign stops? It certainly fits the mood of the country. This year, immigration became voters’ “most important problem” in Gallup polling for the first time since Central Americans flocked to the border in 2019. More than half of Americans perceive immigrants crossing the border illegally as a “critical threat.”

Yet the sentiment expressed above is almost exactly 100 years old. It was uttered by Sen. Ellison DuRant Smith, a South Carolina Democrat, on April 9, 1924. And it helped set the stage for a historic change in U.S. immigration law, which imposed strict national quotas for newcomers that would shape the United States’ ethnic makeup for decades to come.

Immigration was perceived as a problem a century ago, too. Large numbers of migrants from Eastern and Southern Europe flocked to the United States during the first two decades of the 20th century, sparking a public outcry over unfamiliar intruders who lacked the Northern and Western European blood of previous migrant cohorts.

On May 15, 1924, Congress passed the Johnson-Reed Act, which would constrain immigration into the United States to preserve, in Smith’s words, America’s “pure, unadulterated Anglo-Saxon stock.”

“It is for the preservation of that splendid stock that has characterized us that I would make this not an asylum for the oppressed of all countries,” Smith continued, speaking of America not 40 years after the Statue of Liberty was erected in New York harbor, with its open arms for all humankind. Immigration, Smith noted, should be shaped “to assimilate and perfect that splendid type of manhood that has made America the foremost Nation in her progress and in her power.”

The act set the rules of who’s in and who’s out. Here is what happened:

Color bands representimmigrants arriving in the United States each decade.10k100K500KSource: U.S. Department of Homeland Security

In the 1800s, most immigrants arriving in the United States came from Western and Northern Europe. By the early 1900s, that flow changed to Eastern and Southern European countries, such as Italy, Russia and Hungary.

The 1924 Johnson-Reed Act established narrow national quotas. Immigration from Asia and Eastern and Southern Europe was slashed to a trickle.

Western and Northern European countries such as Germany, Britain and Ireland were given the largest allowances.

The act did not set quotas for immigrants from the Western Hemisphere, including Canada, Mexico, and countries in the Caribbean and South America.

The Hart-Celler Act of 1965 undid the national quotas, and immigration surged afterward.

Despite continued attempts to preserve the nation’s White European identity, immigrants today come from a diverse range of nations, mostly in the Global South.

Fast forward 100 years and the United States no longer has quotas. But it still has not landed on an immigration policy it can live with. Trump asks why the United States can’t take in immigrants only from “nice countries, you know, like Denmark, Switzerland,” instead of “countries that are a disaster.” President Biden, who not even four years ago wanted to grant citizenship to millions of unauthorized immigrants, today wants to “shut down the border right now.”

All the while, desperate immigrants from around the world keep fleeing poverty, repression and violence, launching themselves into the most perilous journey of their lives to reach the United States.

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The public conversation over immigration that has raged at least since the days of the 1924 Johnson-Reed law can explain Washington’s policy failure: There is no way America can reconcile the sentiments embodied by the Statue of Liberty — “Give me your tired, your poor,” etc. — with its deep-seated fear that immigrants will reshape its ethnic makeup, its identity and the balance of political power.

Try as they might, policymakers have always been unable to protect the White America they wanted to preserve. Today’s “melting pot” was built largely with policies that didn’t work. Millions upon millions of migrants have overcome what obstacles the United States has tried to put in their way.

The registry room at Ellis Island in New York in 1924. (AP)

Israel Zangwill’s play “The Melting Pot” — which opened at the Columbia Theatre in D.C. on Oct. 5, 1908 — has a narrow understanding of diversity by current standards. The play was an ersatz “Romeo and Juliet,” featuring a Jewish Russian immigrant and a Christian Russian immigrant. But it carried a lofty message. “Germans and Frenchmen, Irishmen and Englishmen, Jews and Russians — into the crucible with you all!” trumpets David Quixano, the main character. “God is making the........

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