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Meg ShieldsFilm School Rejects |
Sustained shots are best when they're done for a specific reason. And yes, that includes confronting the inescapable march of time.
Never underestimate the importance of a well-timed parachute.
Every film deserves a hype man. And what better hype man can you ask for than an opening credits sequence?
Here for a good spooky time, not a long spooky time.
The latest episode of 'Creepshow' is just fine. But where's the grisly comeuppance?
Here's a video essay that explains the narrative device, its strengths, and its weaknesses.
Sometimes, the dorky genre Venn Diagram is a circle.
Textbooks out, class, it's time for some international cinema history.
Why is he a GREEN knight, anyway? And what was with that really slow, rotating mid-film pan?
Settle in, set the mood, and let the ooky spooky credits roll.
A horror comedy with brrrrrrrraaaaains.
As Bruce Campbell himself puts it: 'Crimewave' wasn't released. It escaped.
Streaming services are delivering the ghoulish goods this month, so plan accordingly!
A little (okay, *a lot*) of foam rubber never hurt nobody.
We have a bone to pick with this episode, folks.
Guitar twangs, piccolos, and bass trombones, oh my!
No, there wasn’t a buzzsaw attached to the camera. But that’s a free idea if anyone wants it… Paramount Pictures By Meg Shields ·...
Technicolor growing pains, soft-spoken narration, and a commanding feminist point of view. Here’s a look at what makes Renoir’s first color...
Are we human or are we Dan Stevens the German-speaking love robot? Bleecker Street Media By Meg Shields · Published on September 27th, 2021...
Finally, an A24 horror film about the terror of tension-riddled family gatherings. A24 By Meg Shields · Published on September 27th, 2021 ...
The son, the father, and the holy GOAT. Paramount Pictures By Meg Shields · Published on September 27th, 2021 Welcome to The Queue —...
Arguably one of the most visually identifiable directors working today, here’s a quick celebration of the center frames of Spanish auteur Pedro...
A bold, uncompromising voice in cinematography: here’s a quick intro to what defines the work of Natasha Braier. By Meg Shields · Published...
How did Denis Villeneuve get to ‘Dune’? Here’s a quick introduction to how the French-Canadian director found his creative voice. By Meg...
Looks like the uncanny valley was only … skin deep. Twentieth Century Fox By Meg Shields · Published on September 17th, 2021 Welcome to...
Extravagant and charming, but with some bumps along the way, this is a biopic befitting its larger-than-life subject. Fox Searchlight By Meg...
Prepare for Denis Villeneuve’s new movie adaptation with this handy vocab lesson. Warner Bros. By Meg Shields · Published on September...
Want to know why rhetorical questions stick in our heads? Well, do you, punk? Columbia Pictures By Meg Shields · Published on September...
Antoine Fuqua’s remake is thrilling but ultimately redundant. TIFF By Meg Shields and Anna Swanson · Published on September 14th, 2021 ...
Finally, a tragi-rom-com for people who don’t do tragi-rom-coms. NEON By Meg Shields · Published on September 14th, 2021 This review of...
Remember when they let the guy who made ‘Fritz the Cat’ adapt ‘The Lord of the Rings’? The ’70s were wild, man. United Artists ...
Denis Villeneuve’s jaw-dropping adaptation lets the spice flow while being unavoidably flawed. Warner Bros. By Meg Shields · Published on...
You know what they say: the views are better (and lonlier) above ground. Buena Vista Pictures By Meg Shields · Published on September 10th,...
Why let the big-ticket films have all the fun? By Meg Shields · Published on September 9th, 2021 This TIFF 2021 preview is part of our...
In one of the great paradoxes of cinema history, thanks to social media apps, we’ve returned to silent cinema. By Meg Shields · Published...
The eyes (of Tony Leung) have it. The Criterion Collection By Meg Shields · Published on September 6th, 2021 Welcome to The Queue —...
No, it’s not the ‘Star Wars’ prequels. Universal Pictures By Meg Shields · Published on September 3rd, 2021 Welcome to The Queue...
Reject modernity, embrace slapstick comedy. Gaumont By Meg Shields · Published on September 1st, 2021 Welcome to The Queue — your daily...
God-worshipping death cults, snake women, and co-dependent rat-whisperers, oh my! By Meg Shields · Published on August 31st, 2021 Welcome...
From ‘Wake in Firght’ and beyond, mate. GUO Film Distributors By Meg Shields · Published on August 30th, 2021 Welcome to The Queue...
“Why are we afraid of the first time? Every day in life is a first time.” The Criterion Collection By Meg Shields · Published on August...
“I always wished I was an orphan. Most of my favorite characters are.” By Meg Shields · Published on August 25th, 2021 Welcome to The...
Anyone else hear toes cracking or is it just us? Universal Pictures By Meg Shields · Published on August 23rd, 2021 Welcome to The Queue...
For those who like to be afraid … very afraid. By Meg Shields and Anna Swanson · Published on August 15th, 2021 Welcome to Beat the...
Wow, if you leave talented creatives alone, they tend to create good art! Who’d a thunk it? By Meg Shields · Published on August 13th, 2021...
Sometimes searching for order in chaos only leads to more disorder. Also smile, you’re on camera. MGM By Meg Shields · Published on...
Get an earful of this subgenre. Ponty Up Pictures By Meg Shields · Published on August 9th, 2021 Welcome to The Queue — your daily...
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