There are many ways to pay tribute to a music artist through a cover of one of their songs. Some honor their inspiration by playing their hit song in a different genre of music. Others cover the song through different instrumentation or key changes. Then there’s the guy who performs his cover with rubber chickens.

The professional pianist known as Lord Vinheteiro has gotten attention on TikTok by performing Guns N’ Roses’ song “Sweet Child O’ Mine.” Only, instead of the vocal stylings of Axl Rose, Vinheteiro sings the song through the squeaky voices of rubber chickens of varying sizes. And he nails it.

@lordvinheteiro Sweet Child O’ Mine – Guns N’Roses sweetchildomine gunsnroses rubberchickens chickens chicken vinheteiro lordvinheteiro ♬ som original – Lord Vinheteiro – Lord Vinheteiro

Sweet Child O’ Mine – Guns N’Roses sweetchildomine gunsnroses rubberchickens chickens chicken vinheteiro lordvinheteiro ♬ som original – Lord Vinheteiro – Lord Vinheteiro

Commenters were equal parts impressed and amused:

“How does one tune a rubber chicken?”

“Next year’s Super Bowl show! UNRIVALED!!!”

“If you close your eyes, it sounds just like Axl Rose.”

“This is what the internet was invented for.”

“I don’t care what y’all say… THIS IS TALENT.”

“Simply awesome, Maestro!”

“As a middle school science teacher would you mind if I showed this video to my students? We’re studying sound waves and this is a perfect example of frequency and pitch.”

“Needed this smile. Thank you.”

“Clucking brilliant.”

Who is this rubber chicken maestro?

Lord Vinheteiro, the professional name of Brazilian musician Fabrício André Bernard Di Paolo, has entertained the Internet since 2008. He gained attention through his expert piano skills—where he’s playing theme songs from cartoons or playing the piano at a distance with strings. All the while, Vinheteiro adds to the absurdity by looking directly into the camera with an expressionless face.

Prior to his career as a YouTube content creator and music teacher, Paolo worked in construction. His videos grew in popularity in his native Brazil before gaining traction worldwide. Until recently, he showcased his classical music prowess by playing video game themes and other pop-culture favorites. In 2025, he began expanding his musical talent by incorporating rubber chickens into his content.

While still showcasing his impressive piano skills, he frequently shows off his rubber chicken singing abilities using chickens of various sizes. Impressively, Paolo is able to hit the proper tone and pitch with expert grip and timing. This feat has earned him millions of views on rubber chicken versions of a wide variety of songs, from System of a Down’s “Chop Suey!” to Queen’s “Bohemian Rhapsody,” and even the “Imperial March” theme from Star Wars.

If you are amused and fascinated by Lord Vinheteiro’s work, check out his social media for more. It may be piano and rubber chickens for now, but it’ll be interesting to see which instrument he masters next.

In March 2023, after months of preparation and paperwork, Anita Omary arrived in the United States from her native Afghanistan to build a better life. Once she arrived in Connecticut, however, the experience was anything but easy.

“When I first arrived, everything felt so strange—the weather, the environment, the people,” Omary recalled. Omary had not only left behind her extended family and friends in Afghanistan, she left her career managing child protective cases and supporting refugee communities behind as well. Even more challenging, Anita was five months pregnant at the time, and because her husband was unable to obtain a travel visa, she found herself having to navigate a new language, a different culture, and an unfamiliar country entirely on her own.

“I went through a period of deep disappointment and depression, where I wasn’t able to do much for myself,” Omary said.

Then something incredible happened: Omary met a woman who would become her close friend, offering support that would change her experience as a refugee—and ultimately the trajectory of her entire life.

Understanding the journey

Like Anita Omary, tens of thousands of people come to the United States each year seeking safety from war, political violence, religious persecution, and other threats. Yet escaping danger, unfortunately, is only the first challenge. Once here, immigrant and refugee families must deal with the loss of displacement, while at the same time facing language barriers, adapting to a new culture, and sometimes even facing social stigma and anti-immigrant biases.

Welcoming immigrant and refugee neighbors strengthens the nation and benefits everyone—and according to Anita Omary, small, simple acts of human kindness can make the greatest difference in helping them feel safe, valued, and truly at home.

Anita Omary was receiving prenatal checkups at a woman’s health center in West Haven when she met Dee, a nurse.

“She immediately recognized that I was new, and that I was struggling,” Omary said. “From that moment on, she became my support system.”

Dee started checking in on Omary throughout her pregnancy, both inside the clinic and out.

“She would call me and ask am I okay, am I eating, am I healthy,” Omary said. “She helped me with things I didn’t even realize I needed, like getting an air conditioner for my small, hot room.”

Soon, Dee was helping Omary apply for jobs and taking her on driving lessons every weekend. With her help, Omary landed a job, passed her road test on the first attempt, and even enrolled at the University of New Haven to pursue her master’s degree. Dee and Omary became like family. After Omary’s son, Osman, was born, Dee spent five days in the hospital at her side, bringing her halal food and brushing her hair in the same way Omary’s mother used to. When Omary’s postpartum pain became too great for her to lift Osman’s car seat, Dee accompanied her to his doctor’s appointments and carried the baby for her.

“Her support truly changed my life,” Omary said. “Her motivation, compassion, and support gave me hope. It gave me a sense of stability and confidence. I didn’t feel alone, because of her.”

More than that, the experience gave Omary a new resolve to help other people.

“That experience has deeply shaped the way I give back,” she said. “I want to be that source of encouragement and support for others that my friend was for me.”

Extending the welcome

Omary is now flourishing. She currently works as a career development specialist as she continues her Master’s degree. She also, as a member of the Refugee Storytellers Collective, helps advocate for refugee and immigrant families by connecting them with resources—and teaches local communities how to best welcome newcomers. “Welcoming new families today has many challenges,” Omary said. “One major barrier is access to English classes. Many newcomers, especially those who have just arrived, often put their names on long wait lists and for months there are no available spots.” For women with children, the lack of available childcare makes attending English classes, or working outside the home, especially difficult.

Omary stresses that sometimes small, everyday acts of kindness can make the biggest difference to immigrant and refugee families.

“Welcome is not about big gestures, but about small, consistent acts of care that remind you that you belong,” Omary said. Receiving a compliment on her dress or her son from a stranger in the grocery store was incredibly uplifting during her early days as a newcomer, and Omary remembers how even the smallest gestures of kindness gave her hope that she could thrive and build a new life here.

“I built my new life, but I didn’t do it alone,” Omary said. “Community and kindness were my greatest strengths.”

Are you in? Click here to join the Refugee Advocacy Lab and sign the #WeWillWelcome pledge and complete one small act of welcome in your community. Together, with small, meaningful steps, we can build communities where everyone feels safe.

This article is part of Upworthy’s “The Threads Between U.S.” series that highlights what we have in common thanks to the generous support from the Levi Strauss Foundation, whose grantmaking is committed to creating a culture of belonging.

Drummer Jesse Avi has racked up millions of social media views with his precise, tasteful cover videos. But these clips are also fascinating and motivational on a deeper level: Avi, who uses the handle “The Slightly Different Drummer,” performs them all from his wheelchair, operating the kick drum with a pedal triggered by his mouth. 

Avi has been posting his covers—everything from modern soul music (Silk Sonic’s “Smokin Out the Window”) to early ’80s power pop (Rick Springfield’s “Jessie’s Girl”)—since December 2025. But he truly reached social media virality the following month by tackling Incubus’ 1999 alt-metal classic “Pardon Me.” It’s a killer rendition, nailing José Pasillas’ deft snare rolls, cathartic crash cymbals, and powerful kick grooves. Both drummers and non-musicians responded, with the clip reaching over a million views on Instagram alone. 

View this post on Instagram

Here are some of the top comments: 

“Dude you are LOCKED IN 🤘”

“Is the trigger for the kick in your mouth this is AMAZING 💪🏻

“Hell yeah button 👉🏻”

“For any non drummers, please know this is incredibly tight playing”

“Pardon me sir but this is amazing !!!!”

“Nothing stopping you!!! 🔥🔥🔥”

“Im about to have a major spine surgery and i have a fear of losing mobility in my legs after and nor being able to drum. This gave me hope even if the worst comes to pass. This is inspiring”

“Obsessed with rhythm”

Avi tells Upworthy he started playing drums around age 10, “obsessed with rhythm.” When he first saw the video for Hanson’s 1997 pop hit “MMMBop” on MTV, he found himself locking in on the drummer, Zac Hanson. “Something about the power and control behind the kit pulled me in, and the fact that it was just kids playing blew my mind,” he says.

Soon enough, he was “banging on pillows” and quickly found himself behind an actual kit. But after a spinal cord injury at age 13, he stopped playing for several years—and when he started back, he couldn’t continue with the traditional drum setup.

“At first, that was frustrating—because muscle memory and habit are huge parts of drumming,” he recalls. “But I also realized that if I wanted to keep playing at the level I expected from myself, I’d have to rethink things instead of resisting the change. In a lot of ways, it made me more creative. I had to analyze my playing from the ground up—literally. It forced me to become more intentional, more disciplined, and more technical about how I move around the kit. What could’ve been a limitation ended up reshaping my style and making me a more thoughtful drummer.”

“I needed to retrain my brain”

A major breakthrough came on July 5, 2005, after glimpsing a Def Leppard show at New Jersey’s FirstEnergy Park, where he worked as a dishwasher.

“I’ll never forget it,” he says. “On my break, I was able to watch the band perform a few songs, and I was amazed at how Rick Allen, their drummer with one arm, could play so smoothy and perfectly. I drove home that night thinking to myself, ‘If he can do it, I can do it.’ Keep in mind, no YouTube or online videos were around for me to really watch him perform. So I spent the next few days [experimenting] with this pedal that I took from an electronic drum set I got for Christmas a few years earlier.”

At first, Avi tried sticking the pedal under his arm, but it would fall right out. He tried sitting on it, but that proved too uncomfortable. After putting the device in his mouth, he found he could play simple beats.

“It was hard, and I needed to retrain my brain that biting down is the kick drum now, not my leg,” he says. “Within a week, I was playing daily, and it never really stopped from there. I always continued to play on and off—sometimes I wouldn’t play for a year or so, and then I’d play for three years straight. As of recently I have been playing more, and it’s been a great feeling.”

The technical side of his playing is pretty inventive: Avi bites down on the trigger every time he wants to hear a kick drum, which sends a signal to his “drum brain”—a Roland TD-3—and then into the Yamaha EAD10 drum module to create the kick sound.

His videos have sparked a range of responses: both pro and casual musicians sharing their feedback, drummers asking technical questions, and people sharing how the videos inspired them.

“I can tell you this: There are plenty of good people on this Earth,” Avi says. “I have really had some amazing comments and DMs from people all over the world. It’s incredible. The response has honestly been one of the most meaningful parts of sharing my videos. I’ve had everyday drummers reach out, and even a few professional players, letting me know they connected with what I’m doing. That’s something I don’t take lightly.” 

“It’s been especially........

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