"I wanted no part of politics." Those words of Jesse Owens after the 1936 Olympics echoed in my mind as I watched the string of controversies emerge from the Paris games.

From the scenes in the Opening Ceremony to even the food service in the Olympic village, the 2024 Olympics sometimes seemed like a clash not of individual athletes but of political agendas.

The Opening Ceremony of director Thomas Jolly is still raising protests from religious and other groups over two controversial segments.

In one scene, three young people are shown flirting in a library while reading books like "Les Liaisons Dangereuses" (Dangerous Liaisons) and "Le Diable au Corps" (Devil in the Flesh). They then run to an apartment for what was clearly a threesome sex-romp, culminating in the participants pushing the cameraman out of the bedroom.

Many people (including me) could not care less about who or how many people you have sex with. Many also would prefer not to have to explain to kids watching what the scene meant if they failed to pick up the meaning from the hot stairway kissing scene.

Then there was the feast scene, featuring DJ and producer Barbara Butch, described as "an LGBTQ icon who calls herself a 'love activist.'" For many, the tableau evoked Leonardo da Vinci's "The Last Supper" — an image that was brought home for many by the Christ-like halo worn by Butch in the center.

For the record, I loved many parts of the Opening Ceremony with its stunning imagery and wonderful music. I also welcomed the inclusion of scenes with gay or trans people to show the diversity of French culture.

But for games that are supposed to serve as a shared experience for a world composed of many religions, cultures and practices, these two scenes were gratuitously divisive. Why was a threesome sex romp so vital to the vision of these Olympics?

For many, the........

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