Rebel Wilson’s directorial debut, The Deb, has genuine warmth – but doesn’t quite work as a musical |
The Deb is finally here. The film has been plagued by unresolved legal troubles and repeated delays. But here it is – and for the most part, it’s an enjoyable Australian comedy with characteristically crude humour, but aimed squarely at a young, female audience.
It’s a shame it’s not as good a musical as it is a comedy.
The Deb began life as a stage musical, as the first recipient of Rebel Wilson’s scholarship program for young, female-identifying comedy writers. Written by Australian comedy writer Hannah Reilly and musician Meg Washington, the musical was produced by the Australian Theatre for Young People (ATYP) and enjoyed a successful season in 2022. Almost immediately, Wilson flagged her intent to adapt the stage show for film.
Set in the fictional, drought-ravaged town of Dunburn, The Deb is a loose riff on the fable of the the town mouse and the country mouse.
Wealthy, stylish, attractive and self-confident Maeve (Charlotte MacInnes, reprising her role from the stage production) is a Sydney private school student who, after being expelled from school for staging a political protest against the tyranny of the top shirt button, is dispatched to the country by her principal-slash-mother for some fresh country air and a change of........