Taxi Driver at 50: Martin Scorsese’s film remains a troubling reflection of our times |
Martin Scorsese’s Taxi Driver turns 50 this month. Nominated for four Oscars and winner of the Palme d’Or at the 1976 Cannes Festival, Scorsese’s searing, hallucinatory portrait of urban alienation is widely regarded as one of the most important American films of all time.
It is also unquestionably one of the most troubling.
Taxi Driver channels the anger, paranoia and alienation of an American decade shaped by economic decline, imperialist violence and political scandal. Set in the dilapidated squalor of a rapidly deindustrialising New York, the film proffers a forlorn portrait of a society coming apart at the seams.
At its heart sits a deeply unsettling vision of masculinity, bound up in racism and misogyny.
The social and psychological forces Taxi Driver brought into focus have not disappeared. If anything, they have simply migrated – finding new expression in digital cultures shaped by the platforming of grievance, aesthetised resentment and the monetisation of male rage.
Travis Bickle (portrayed with unnerving intensity by Robert De Niro) was the creation of screenwriter Paul Schrader, who drew heavily on his own experiences of isolation and emotional crisis. Schrader also looked to literature for inspiration, citing Fyodor Dostoevsky’s misanthropic Underground Man as a formative influence.
In placing the European existential hero in an........