In the original "Beetlejuice" (1988), the narrative centers around a trio who must band together to fend off the mischievous ghost, Beetlejuice. The combined efforts of Adam, Barbara and Lydia are crucial to outwitting his schemes. Fast forward to the 2024 sequel, "Beetlejuice Beetlejuice," and we find a similar dynamic, but with a twist. This time, the three Deetz women find themselves leaning on Beetlejuice to fend off other antagonists—although of course he still manages to be quite annoying. Lydia, Delia, and Lydia’s daughter, Astrid, each face unique challenges in the Underworld, and they rely on Beetlejuice for escape. It’s surprising to see that in this iteration, he helps them mostly without the same selfish motives as before. The evolution in his character reinforces an emerging theme: the Deetz ladies, like many other supernatural ensembles, need each other, and they need the guidance of those more experienced in the occult, even if that guide is a tricky sex pest.

In both "Beetlejuice" films, the central characters are confronted with problems too immense to be solved through solitary effort. Their situations demand collaboration and reliance on others with more powerful or experienced magic. Say what you will about the Juice, but he’s been scheming his way across the Underworld for many moons. Themes of mutual aid and the strength found in community are particularly resonant, as it becomes clear that these women and their disgusting, pun-loving supernatural ally can only break free of their Underworld troubles by combining forces. This need for shared strength and knowledge reflects a broader cultural recognition of the value in community, especially in moments of crisis. It’s also a reminder of the intergenerational bonds that are frequently vital to these stories. The Deetz crew, spanning multiple generations, underscores how wisdom and power can be passed down or shared within families, including living ancestors and often even deceased ones.

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This concept of women working together in magical ensembles is hardly limited to "Beetlejuice." Many films featuring witches or supernatural characters portray them in groups of three or four, emphasizing that community is........

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