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Marvel + #MeToo + political propaganda = Black Widow, a middling, formulaic Disney money grab

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This article contains plot points and minor spoilers for the movie Black Widow.

After a two-year, Covid-induced drought, Marvel is finally back in theatres with the much-anticipated ‘Black Widow’.

The movie was originally set to kick off Phase Four of the Marvel Cinematic Universe back in May last year, but the pandemic crushed those plans and Marvel fans have had to go to the streaming service Disney Plus to get their Marvel fix in the form of the series WandaVision, Falcon and the Winter Soldier, and Loki.

Black Widow, in case you’ve forgotten, is actually Natasha Romanoff, the former KGB superspy turned Avenger who is portrayed by Scarlet Johansson.

The movie, which besides being in theatres is also available to stream on Disney Plus for a hefty fee, is set right after Captain America: Civil War and five years before all the unpleasantness with Thanos in Infinity War and Endgame because – spoiler alert! – Black Widow actually dies in Endgame. Consider this movie to be cinematic CPR on Natasha Romanoff.

The fear heading into Black Widow was that it would be the wokest Marvel movie yet. That fear was formed when Ms. Johansson made some pre-release noise about how she was uncomfortable with how her character was “hyper-sexualized” in earlier movies, and also that this film was going to be Marvel’s #MeToo movie.

Adding to that sentiment were tweets from various kiss-ass woke media........

© RT.com

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