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When Trauma Silences a Child

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After trauma, a young Ukrainian boy lost his ability to speak.

Narrative therapy helped him regain the ability to speak.

Seeing a guitar and picking it up was the fist therapeutic step—the retun of a sense o agency.

Misha, 14, looked like a boy preparing to flee.

Three years ago, he was having tea with Valentina Owl, a family therapist in Western Ukraine. The meeting was meant to be a simple getting-to-know-you session, but the boy was perched on the edge of his chair, hands twisting together, eyes moving constantly from door to window to table—to anywhere but Owl.

His mother had brought him because he was struggling at school. Her concern was that he barely spoke. When he did, the sounds were so faint they were not recognizable as words.

In that first session, for the first 15 minutes, Misha said nothing.

Owl understood. Misha had survived the destruction of Mariupol. He had lost friends, relatives, his home, his school, the nearby public park where he used to hang out with his friends. Almost everything that had once made life feel solid and knowable had been taken from him. Owl knew that, “Young people who see so much death and destruction sometimes protect themselves by being silent.”

But during that first session, Misha spotted a guitar in the corner of the room and reached for it. Owl remembers nodding, giving him permission to play, and then she observed that something shifted: The music seemed to steady him.

After three or four minutes he put down the guitar, crossed the room, and stood before the map of Ukraine on the wall. Owl remembers that “his face broke into the biggest, most luminous smile. With sweeping, animated gestures he began describing Mariupol—'the best city in the world'— and then, with mounting excitement, mapping out exactly how Ukrainian forces would one day return and liberate it.”

For Owl, the breakthrough,was not just that he had spoken, but that his words were hopeful. In that moment, she recounted "it became clear to me, that Misha's wounded soul would find its way back to the light.”

Agency Begins Before Words

In the weeks that followed, Misha returned for therapy sessions. He still spoke very little. But he began to draw cartoons. The cartoons proved to be a key to unlocking his ability to speak.

At first, the images were filled with conflict, tanks, artillery, destruction. He said almost nothing about them, yet they told their own story.

Owl understood what she was seeing.

“Trauma often traps people in a passive role,” she explains. “Things happen to them beyond their control. But a person has agency when they begin to change even a small part of the story.”

Misha was not yet ready to speak his experience. However, through his drawings, he was already shaping it.

Rewriting the Inner Story

Owl’s work draws on narrative therapy, informed in part by her training with Richard Mollica at the Harvard Program in Refugee Trauma. Rather than erasing trauma, narrative therapy helps individuals reshape the story they tell themselves about it.

Rather than asking Misha to relive painful memories directly, she allowed him to work through them in ways that felt safe and self-directed. His cartoons became the medium.

Over time, things began changing. There came a time when every story he drew ended the same way: victory.

“For Misha, there were heavy rocks sitting in his soul,” she says. “First there was the bullying he had experienced at school. Then Mariupol added a much bigger rock.”

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“We were not just talking about surviving shootings and losses,” she added. “We were helping him understand his story in a way that helped him.”

Through his drawings, Misha was no longer only enduring events. He was reshaping them. He was beginning to move from someone who was only acted upon to someone who could act.

A Life Moving Forward

In the three years since that first meeting, Misha, the boy who once sat as if ready to flee, not only fully regained his ability to speak, he became a successful student and an active member of his church.

“He is doing very well today,” Valentina reports. “He is now at university, studying to be an engineer. He knows that in the future, his country will need his skills.”

His recovery did not begin with words. It began with playing the guitar, with cartooning, and most of all, with narratives that featured him in control. He didn’t just find his voice. He found a vision of himself as someone who will play an important part in rebuilding his country.

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