Welcome to One Fine Show, where Observer highlights a recently opened show at a museum outside New York City, a place we know and love that already receives plenty of attention.

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This year marked the 100th anniversary of André Breton’s Surrealist Manifesto and the birth of the movement itself. It has also seen Leonora Carrington’s Les Distractions de Dagobert (1945) sell for $28.5 million at the big spring auctions in New York. Pair all this with the revived popularity of Sigmund Freud and the current presidential election, and you could make the case that our times are even more surreal than the ones in which the manifesto made its debut.

Riding that wave at........

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