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The Success Of Black Filmmakers Shows We Are Finally Being Heard

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He had just come off one of the most successful weekends at the box office — ever. Director Jordan Peele was speaking at the Hollywood Improv Theatre after his horror flick scared up US$88 million in its opening. It has since raked in more than US$200 million.

With the success of "Get Out" (US$174M) and now "Us," Peele can literally write his ticket with the studios when it comes to what he wants in a movie, and he said as much to an audience of aspiring actors and fans: "I get to cast black people in my movies. I feel fortunate to be in this position where I can say to Universal, 'I want to make a $20-million horror movie with a black family.' And they say yes."

Now that's power.

JOHANNES EISELE via Getty ImagesDirector/writer Jordan Peele (left) stands next to actress Lupita Nyong'o and actor Winston Duke at the New York premiere of "US" on Mar. 19, 2019 in New York City.

But it wasn't this bit of pride and, yes, boastfulness that got the Twittersphere and others in a tizzy. It was his next statement that got the debate rolling: "I don't see myself casting a white dude as the lead in my movie. Not that I don't like white dudes," he said. "But I've seen that movie."

Cue the outrage, the false equivalencies — "What if a white director had said that about casting black actors?" — and the debate about why a black director (or any creative of colour) should choose to tell stories that reflect their own perspective and experiences.

Lost in all the unfounded indignation was the rest of his statement: "It really is one of the best, greatest pieces of this story, is feeling like we are in this time — a renaissance has happened and proved the myths about........

© HuffPost