In Lee – Kate Winslet’s new movie about the celebrated Second World War photojournalist Lee Miller – the descent into the heart of darkness is slow but it’s always the destination.

The film starts with Miller and her young friends watching newsreel footage of Adolf Hitler and his Nazis marching triumphantly through the streets of Berlin. Miller and her friends shake their heads, disapproving, still unaware the Nazis are marching towards them, too.

War begins. With her Rolleiflex camera, Miller goes on to document London’s Blitz, the fierce battle over Saint-Malo, the liberation of Paris. And then, with her photojournalist colleague David E. Sherman, Miller arrives at Buchenwald and Dachau, the concentration camps where tens of thousands of Jews, gays, Jehovah’s Witnesses, Poles, Freemasons, Communists, Catholic priests and Roma people were slaughtered. But mainly Jews.

You have perhaps seen the photos Miller took at Buchenwald in April 1945, just after it was liberated by Allied troops. They are famous photographs, now displayed in museums. In them, you see a block for medical experimentation, and other buildings set aside for executions and........

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