Mass Media and the Spectacle of the Imperial Presidency |
Image by Planet Volumes.
I’ve been thinking a lot about how the Trump administration has been using television, social media, and AI-generated digital graphics to advance its policies. This particular thought experiment started when my friend and I were watching the evening news. There was Homeland Security Secretary Kristi Noem prancing triumphantly in front of detainees in the CECOT concentration camp in El Salvador where Venezuelan immigrants had been deported. Noem was dressed to kill for the occasion with a designer outfit and a $50,000 Rolex watch. The dynamics of the event were telling. She scolded the detainees like they were 10-year olds caught smoking and, curiously, she did not target gang activity but rather illegal immigration as the cause of their plight.
The prisoners (mostly men) were naked from the waist up, packed into tiny cells, and looked like caged animals. While viewing this quasi-surreal and clearly staged event, my friend turned to me and said: “It looks like Auschwitz.” I will have to say that the unquestionable dehumanization in this image still haunts me. This spectacle alone should’ve struck some variant of fear and loathing into the minds and hearts of every American about how aspects of the immigration crisis are being handled.
Thankfully some media pundits got the message. But, in some cases, they appeared more focused on Noem’s watch than the evocative images of dehumanizing treatment. One commenter writing in USA Today looking to win the “too much information” award noted: “The watch that she wears in the video was identified as an 18-karat gold Rolex Cosmograph Daytona, as first reported by The Washington Post, and reportedly sells for $50,000.” Good to know. The writer went on to say that “except for President Donald Trump, presidents in recent decades have opted for more modest timepieces to avoid being........