Cinema Scope
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Inbetweeners: The 2018 Images Festival

Sara Cwynar’s ROSE GOLD By Michael Sicinski If you happen to frequent experimental film festivals (and, if you’re reading this, there’s a...

Michael Sicinski

Cinema Scope

20 23.04.2018

Issue 74 Editors Note: The Cinema Scope Top Ten of 2017

1. Twin Peaks: The Return (David Lynch) 2. Western (Valeska Grisebach) 3. Zama (Lucrecia Martel) 4. On the Beach at Night Alone (Hong Sangsoo) 5....

Adrian Kinloch

Cinema Scope

40 16.03.2018

Visages villages (Agnès Varda & JR, France)

By Erika Balsom. The Normandy village of Pirou-Plage almost became a holiday destination. In 1990, property developer Pier Invest launched a plan...

Adrian Kinloch

Cinema Scope

30 16.03.2018

Canadiana – Hometown Horror: Robin Aubert’s Les affamés

By Lydia Ogwang. It’s an epidemic: the populist appeal of genre cinema is undeniable, even here at home. In a bit of a surprise, Robin Aubert’s...

Adrian Kinloch

Cinema Scope

30 16.03.2018

Cinema Scope 74 Table of Contents

*Paul Schrader: Deliberate Boredom in the Church of Cinema. By Alex Ross Perry. Community/Theatre: A Conversation with Stephen Cone. By Blake...

Adrian Kinloch

Cinema Scope

30 16.03.2018

Exploded View: Bruce Conner’s Crossroads

By Chuck Stephens. How many names can you call Bruce Conner? Surrealist, beat, prankster, poet, illustrator, assemblagist, filmmaker, punk. Spray-...

Chuck Stephens

Cinema Scope

20 16.03.2018

The Work (Jairus McLeary & Gethin Aldous, US)

By Manuela Lazic. Early on in The Work, a documentary chronicling intense group therapy techniques practiced inside Folsom State Prison outside of...

Manuela Lazic

Cinema Scope

40 16.03.2018

Global Discoveries on DVD: A Few Peripheral Matters

By Jonathan Rosenbaum. Let me start by paraphrasing and slightly expanding a comment of mine appended to my 2017 ten-best list for DVD Beaver. A...

Jonathan Rosenbaum

Cinema Scope

30 16.03.2018

Sundance 2018: What’s the Story?

By Robert Koehler. In Park City this January, all of those attending the Sundance Film Festival were told in no uncertain terms on a daily, if not...

Robert Koehler

Cinema Scope

30 16.03.2018

TV or Not TV – Chronicles of Deaths Forestalled: The Leftovers

By Kate Rennebohm. Televisual and serialized storytelling has long been haunted by a Scheherazadean sense of the relation between storytelling and...

Kate Rennebohm

Cinema Scope

40 16.03.2018