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Cinema Scope |
By Lydia Ogwang Khalik Allah has staged two homecomings in as many documentary features. In Field Niggas (2015), the New York-based photographer...
By Adam Cook Corneliu Porumboiu’s new documentary, like The Second Game (2014), is again fixated on soccer. Infinite Football mostly consists of...
By Madeleine Wall Signs of progress involve mobility, whether in the form of a shorter commute, or simply the ability to go farther, faster. As a...
*Teller of Tales: Mariano Llinás on La Flor by Jordan Cronk *Everything Transitory Is But an Image: Andrea Bussmann on Fausto by Josh Cabrita and...
Paul Ahmarani (Lehrer Perrier) © beforfilms By Adam Nayman On the basis of Les démons (2015) and his latest film Genèse—I haven’t caught up yet...
By Jordan Cronk “Some will say I reinvented the wheel. Yes, I’d say, I reinvented the wheel.”—La Flor, Episode 4 To begin, a question: What...
By James Lattimer Christian Petzold’s progressive drift away from realism gathers pace in Transit, another melodrama of impossibility and despair...
By Mark Peranson. The night that Mariano Llinás arrived in Locarno, I ran into him drinking with his producer Laura Citarella and a few friends,...
By Phil Coldiron “May he not be knave, fool, and genius altogether?” —Herman Melville, The Confidence-Man: His Masquerade It begins with a...
By Jonathan Rosenbaum Paul Verhoeven gives exceptionally good audio commentary, especially on the Kino Lorber Blu-ray of Spetters (1980), a...
By Blake Williams “For the passionate spectator, it is an immense joy to set up house in the heart of the multitude, amid the ebb and flow of...
By Celluloid Liberation Front China’s growing economic clout and rising prominence in world affairs can help illuminate some essential if...
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